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The image on the shroud is much clearer in black-and-white negative than in its natural sepia color, and this negative image was first observed in 1898 on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited.
A variety of methods have been proposed for the formation of the image, but the actual method used has not yet been conclusively identified.
"ADIRONDACK" is centered inside the diamond, with "NORTHERN" above it and "WHITE ASH" below it. appears under "DOLGEVILLE" and "302" appears under "NEW YORK."REG. Same as 1951-1957 but with triangle type lines put above label & smaller lines below label. To the right of the center label, the "Flexible" in "Flexible Whip Action" was dropped in 1960. The first had, "ADIRONDACK" above the player's name and "PERSONAL MODEL" below it.
It could say "PERSONAL" above the player's name and "MODEL" below, as before.
The origins of the shroud and its images are the subject of intense debate among theologians, historians and researchers. The Logo samples pictured below are dated to the years they appear in the Adirondack catalogs. Or, it could have nothing above the name and "LIGINIZED" below.Variations in branding and model numbers could narrow down the years, and will be added to the description soon. DOLGEVILLE NEW YORK" form a diamond-shaped center label. Finally, it could say, "ADIRONDACK" above the player's name and "PERSONAL MODEL" below. OFF." disappeared from above the center brand, and lines were added to enhance the "diamond" effect.Diverse arguments have been made in scientific and popular publications claiming to prove that the cloth is the authentic burial shroud of Jesus, based on disciplines ranging from chemistry to biology and medical forensics to optical image analysis.In 1988, three radiocarbon dating tests dated a corner piece of the shroud from the Middle Ages, between the years 12, which is consistent with the shroud's first known exhibition in France in 1357.